Improvisation and the Making of American Literary Modernism

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Improvisation and the Making of American Literary Modernism Description

This title explores the concept and practice of improvisation in literary modernism and the interconnections between American literature and music. Improvisation, despite its almost ubiquitous presence in many art forms, is notoriously misunderstood and mysterious. Although earlier strands of American philosophy and art emphasized what might be called improvisational practices, it was during the modernist period that improvisational practice and theory began to make a significant impact on art and culture, specifically via the African American musical forms of jazz and blues. This musical development held important consequences for the larger artistic, cultural, and political life of America as a whole - and, eventually, the world. The historical convergence of jazz and philosophical currents like pragmatism in American culture provides the framework for Wallace's discussion of improvisation in literary modernism. Focusing on poets ranging from Gertrude Stein to Langston Hughes, Wallace's work provides a fresh perspective on the complex circuits of modernist culture. "Improvisation and The Making of American Literary Modernism" will be of interest to scholars of poetry, music, American and modernist studies, and race and ethnic studies.

Details

OPC P58VMW9
Codes 1441113754 (ISBN-10)
9781441113757 (ISBN)
External product information

Disclaimer: The information below is provided by various external sources and should be used as a guide only.

Improvisation, despite its almost ubiquitous presence in many art forms, is notoriously misunderstood and mysterious. Although earlier strands of American philosophy and art emphasized what might be called improvisational practices, it was during the modernist period that improvisational practice and theory began to make a significant impact on art and culture, specifically via the African American musical forms of jazz and blues. This musical development held important consequences for the larger artistic, cultural, and political life of America as a whole-and, eventually, the world. The historical convergence of jazz and philosophical currents like pragmatism in American culture provides the framework for Wallace's discussion of improvisation in literary modernism. Focusing on poets ranging from Gertrude Stein to Langston Hughes, Wallace's work provides a fresh perspective on the complex circuits of modernist culture. Improvisation and The Making of American Literary Modernism will be of interest to scholars of poetry, music, American and modernist studies, and race and ethnic studies.

Improvisation, despite its almost ubiquitous presence in many art forms, is notoriously misunderstood and mysterious. Although earlier strands of American philosophy and art emphasized what might be called improvisational practices, it was during the modernist period that improvisational practice and theory began to make a significant impact on art and culture, specifically via the African American musical forms of jazz and blues. This musical development held important consequences for the larger artistic, cultural, and political life of America as a whole-and, eventually, the world. The historical convergence of jazz and philosophical currents like pragmatism in American culture provides the framework for Wallace's discussion of improvisation in literary modernism. Focusing on poets ranging from Gertrude Stein to Langston Hughes, Wallace's work provides a fresh perspective on the complex circuits of modernist culture. Improvisation and The Making of American Literary Modernism will be of interest to scholars of poetry, music, American and modernist studies, and race and ethnic studies.

Alternative names:

  • ISBN Improvisation and the Making of American Literary Modernism
  • ISBN Improvisation and the Making of American Literary Modernism

Detailed Product Information

Weight & dimensions

Height234 mm
Width156 mm

Features

Language versionEnglish
Release date (DD/MM/YYYY)26/07/2012
Number of pages216 pages
Written byRob Wallace
PublisherContinuum
Suggested genderAny gender
Publication year2012
International Standard Book Number (ISBN)9781441113757
Place of publishingLondon, UK
Book cover typePaperback

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