Ward No. 6 and Other Stories, 1892-1895 (Penguin Classics)

Ward No. 6 and Other Stories, 1892-1895

Tales of madness, alienation, and insight from a master of the short story

Ward No. 6 and Other Stories 1892-1895 collects stories which show Anton Chekhov beginning to confront complex, ambiguous and often extreme emotions in his short fiction. These stories from the middle period of Chekhov’s career include – influenced by his own experiences as a doctor – ‘Ward No. 6’, a savage indictment of the medical profession set in a mental hospital; ‘The Black Monk’, portraying an academic who has strange hallucinations, explores ideas of genius and insanity; ‘Murder’, in which religious fervour leads to violence; while in ‘The Student’, Chekhov’s favourite story, a young man recounts a tale from the gospels and undergoes a spiritual epiphany. In all the stories collected here, Chekhov’s characters face madness, alienation and frustration before they experience brief, ephemeral moments of insight, often earned at great cost, where they confront the reality of their existence.

This is the second in three chronological volumes of Chekhov’s short stories in Penguin Classics. Ronald Wilks’s lucid translation is accompanied by an introduction discussing the increasingly experimental style of Chekhov’s writing during this time. This edition also contains an annotated bibliography, chronology and explanatory notes. 

For more than seventy years, Penguin has been the leading publisher of classic literature in the English-speaking world. With more than 1,700 titles, Penguin Classics represents a global bookshelf of the best works throughout history and across genres and disciplines. Readers trust the series to provide authoritative texts enhanced by introductions and notes by distinguished scholars and contemporary authors, as well as up-to-date translations by award-winning translators.


About author(s)
Anton Pavlovich Chekhov (1860–1904) was a Russian playwright and short story writer who is considered to be among the greatest writers of short fiction in history. His career as a playwright produced four classics, and his best short stories are held in high esteem by writers and critics. Along with Henrik Ibsen and August Strindberg, Chekhov is often referred to as one of the three seminal figures in the birth of early modernism in the theater. Chekhov practiced as a medical doctor throughout most of his literary career: “Medicine is my lawful wife,” he once said, “and literature is my mistress.”

Chekhov renounced the theatre after the disastrous reception of The Seagull in 1896, but the play was revived to acclaim in 1898 by Constantin Stanislavski’s Moscow Art Theatre, which subsequently also produced Chekhov’s Uncle Vanya and premiered his last two plays, Three Sisters and The Cherry Orchard. These four works present a challenge to the acting ensemble as well as to audiences, because in place of conventional action Chekhov offers a “theatre of mood” and a “submerged life in the text.”

Chekhov had at first written stories only for financial gain, but as his artistic ambition grew, he made formal innovations which have influenced the evolution of the modern short story. He made no apologies for the difficulties this posed to readers, insisting that the role of an artist was to ask questions, not to answer them. 

Anton Chekhov was the author of hundreds of short stories and several plays and is regarded by many as both the greatest Russian storyteller and the father of modern drama. 

Alternative names:

• ISBN Ward No. 6 and Other Stories, 1892-1895